Trapped on a Desert Island: Besides Crushing Despair, Which Other 4 Art Supplies Do I Take With Me?

I know, I know, it’s supposed to be three items, but for the sake of depth it’s four this time. This is going to assume you have a lifetime supply of paper, make: unknown. My first choice is a loaded GraphGear800 from Pentel, it’s the only thing that’s gonna survive this island and give me everything I need to pencil a masterpiece that will take my mind off a lifetime of solitude. Second, I want a White Pearl eraser, this will be clutch, trust me. Third, I want a Pentel Sharp P205 loaded with non-photo blue lead, this is essential for layouts. Finally, I want a pen I don’t even have right now, but I can choose anything right, I want a Bic Z4, the most versatile pen I’ve come across, it’s a beast, it can do anything.

 

You Can Have My Brush Pens When You Pry Them From My Cold Grey IV Hands

I really can’t express just how much a simple set of grey Faber-Castell Pitt Pens can add to your work. It will add depth to your black and white drawings, and when pieces containing it are scanned, they can be color-shifted and maintain your hand drawn gradient. The packs contain “Cold Greys” and “Warm Greys,” which I usually alternate between judging by whether an object is inanimate or not. You can get them in “Brush” or “Soft Brush,” don’t get Soft Brush unless you have an exceptionally steady hand.

 

Take this sketch for example. It really only has one color (red), but the greys add enough depth to make it feel more “alive.”

Enter the grey area.